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Guide

How to show every colorway without a photoshoot

One lamp, six glazes. One chair, four fabrics. Photographing every variant takes time and samples you may not have yet. Here are your options, and how to keep the results honest.

The short version

  • Photographing every variant is the most accurate, and the slowest and most expensive.
  • Recoloring by hand works for flat colors but takes skill, and textures and sheen are hard to fake.
  • AI variants are fast. Describe each finish precisely and check every image against a real sample before it goes live.
The original sage lamp photo The lamp with a deep navy gloss base The lamp with a matte white base The lamp with a warm terracotta base
One photo of the sage lamp, and three glazes made from it: deep navy gloss, matte white and warm terracotta. Only the base changed.

Why variants are a headache

Shoppers want to see the exact color they're buying. But variants multiply fast: a few products in a few finishes is suddenly dozens of photos. New colorways often go on sale before production samples exist, and shooting each one means booking photography again every time the range changes.

Option 1: Photograph every variant

The gold standard. Each image shows the real product, so color and texture are as accurate as your photography. The cost is time, samples and consistency: every variant needs to be shot in the same light, at the same angle, so the set looks like it belongs together.

Best for: your best sellers, and any finish where texture is the selling point.

Option 2: Recolor by hand in an editor

A skilled retoucher can recolor one master photo into several variants. It works well for flat, matte colors. It gets harder with gloss, metallics, woven fabric and anything with depth, because the highlights, shadows and texture need to change too, not just the hue.

Best for: simple color swaps when you already have a retoucher.

Option 3: Generate variants with AI

With a tool like the Variant Builder, you upload one photo, name the part that changes (the ceramic base, the upholstery, the frame) and list the finishes. You get one image per finish, and everything except that part stays the same: the shape, the setting and the rest of the product.

Best for: filling out a full color range quickly, previewing colorways before samples arrive, and line sheets.

How to describe a finish so it comes out right

The words you use matter. A single color word leaves too much open. Describe three things:

So "deep navy gloss glaze" rather than "blue", and "matte white glaze" rather than "white". Name the part precisely too: "the ceramic base" changes the base and leaves the shade alone.

Keep it honest: check every variant

A variant image is a promise about what arrives in the box. Before one goes live, put it next to a physical sample or your supplier's swatch. If it doesn't match closely, don't publish it. Re-describe the finish and try again, or photograph that variant for real. Returns and bad reviews from a color that doesn't match cost far more than a reshoot.

Where variant images go

Name the part, list up to eight finishes, get one image per variant.

Variant Builder

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No card needed. Want us to do a whole catalog for you? Email hello@ketchupnomayo.com.

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